Curatorial notes

The performance-programme is curated by residency manager Søren Jakobsen. Having a background in computer science and musicology, with experience in systems design, Søren is interested in how (digital) tools can - often unnoticeably - form or change human habits and thinking (or opposite), leading to new forms of expressions, new solutions - even new problems. In the world of music this is especially evidenced by genres of music which have evolved from - and with - the development of new instruments. In digital art, with the extreme flexibility of computers, artists have unique opportunities to support artistic developments by customizing or developing personal tools and methods.

Visual artifacts are commonly used to enhance sound/music and vice versa. Within new media art a vast area to explore exists in setups and algorithmic approaches by which a composed or improvised expression using one medium - e.g. a musical instrument - may be (semi-)automatically transformed into a somehow similar expression using another medium - e.g. video projection. Whichever way the bridge is created, a such tight integration between two forms of expression can potentially enhance both.

Some forms of contemporary art might be seen as very theoretical or 'elitist'. From an outsider's perspective the more sensory qualities of art may be more satisfying - qualities e.g. of how colours, sounds, shapes, motions, ideas, and textures are structured within time and space to form a composition. The performance-programme has - as the organization of Pedra Sina Residence - an embracing and inclusive aim, to evoke and develop our shared human sensibilities.